Note: RVCO is a non-union, non-paying community theater organization. We encourage performers of all races and ethnicities, gender identities, sexualities, and abilities to audition.
How to Succeed in Business Without Really Trying
Stage Director: Chris Fitting
Musical Director: Florrie Marks
When: Thursday October 2 at 7:00 – 10:00 p.m. and Sunday October 5 at 2:00 – 5:00 p.m. If needed, callbacks are Thursday October 9, 7:00 – 10:00 p.m.
Where: Roosevelt Community Center, 464 S. Old Middletown Road, Media, PA 19063
Sign Up: https://tinyurl.com/bdyynrd3 or email auditions@rvco.org for an audition time. Please provide your name and phone number.
Rehearsal dates and times tentatively set to start early January 2025 on Sundays 2:00 - 5:00 p.m. and Monday and Wednesday 7:30 - 10:00 p.m. at the Roosevelt Community Center, 464 S. Old Middletown Road, Media, PA 19063.
Tech week dates and times:
- Sitzprobe: Saturday April 11, 9:30 a.m. - 12:30 p.m.
- Tech: Sunday April 12, 1:00 - 10:00 p.m.
- Tech run-throughs: Monday, Tuesday, & Wednesday April 13-15, 2026, 6:00 - 10:00 p.m.
Show dates and times: (Currently date are tentative)
- April 18, 19, 25, & 26 at 2:00 p.m.
- April 18, 22, & 25 at 7:30 p.m.
Performance Site: Strath Haven Middle School, 200 South Providence Road, Wallingford, PA 19086
Audition Information
- To receive the audition material, email auditions@rvco.org. Use "Request for audition material" as the subject.
- To audition for a role, you must sing and read the selections provided — readers and a pianist are provided to read with you and play for you.
- If time allows, you may audition for up to two roles.
- Email your audition form to auditions@rvco.org and bring a copy to your audition.
- The day of your audition, if you cannot make your scheduled time or need to cancel, please call 484 981-9108.
- If you are cast in a minor role, you will also be part of the ensemble and perform in ensemble numbers wherever possible.
- A chorus call will be sent late Autumn for those who wish to join the ensemble.
- Cast members are required to pay a $25 membership fee.
- I Believe in You : pick-up to C through 7 measures after E (or 2 measures before F)
- Brotherhood of Man : 2 measures before C to G
- Grand Old Ivy : measure 9 to 1 measure before E
- Brotherhood of Man : 2 measures before C to G
- Happy to Keep His Dinner Warm : pick-up to E to the end
- Paris Original : E to 5 measures after I
Character/Description/Voice Range |
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If you are auditioning for J. Pierrepont Finch or Bud Frump, sing one of the following:
If you are auditioning for J. B. Biggley, Bratt, Mr. Twimble, or Wally Womper, sing one of the following:
If you are auditioning for Rosemary, Smitty, or Hedy, sing one of the following:
If you are auditioning for Miss Jones sing:
If you are auditioning for Twimble/Womper or Gatch you will be doing the readings for J. B. Bigley.
|
- Gender: Male Age: 18 to 25 - Vocal range: C3 to top: G4 |
- Gender: Male Age: 40 to 60 |
- Gender: Female Age: 30 to 40 |
- Gender: Male Age: 60 to 75 - Vocal range: C#3 to E4 |
- Gender: Male Age: 50 to 65 - Vocal range: C3 to A4 |
- Gender: Male Age: 18 to 21 - Vocal range: C3 to F4 |
- Gender: Male Age: 55 to 70 - Vocal range: D3 to E4 |
- Gender: Female Age: 20 to 30 Vocal range: A3 to B4 |
- Gender: Female Age: 55 to 65 - Vocal range: B♭3 to G♭5 |
Gender: Female Age: 25 to 35 Vocal range: C4 to E♭5 |
Show Synopsis
The Tony Award-winning musical, How to Succeed in Business without Really Trying, follows the rise of J. Pierrepont Finch, who uses a handbook called 'How to Succeed in Business without Really Trying' to climb the corporate ladder from window washer to high-powered executive, tackling familiar but potent dangers such as the aggressively compliant "company man", the office party, backstabbing coworkers, caffeine addiction and of course, true love.
The standout score by Frank Loesser features such classics as the surreal and funny "Coffee Break", the rousing "Brotherhood of Man", and the melodious tongue-in-cheek ballad "I Believe In You", while the book by Burrows, Weinstock, and Gilbert, won the Pulitzer Prize in 1962.